2013, broken piano hammers / solenoid motors / micro controller / cloth
"This Slow That Fast: Animamix Biennale 2013-14", Oi! Galleries, Hong Kong, 2014.
“Transcendent Ordinariness”, K11 Art Space, Hong Kong, 2013.
I think I may scratch myself in my sleep is a kinetic installation created from parts of a dismembered piano. The hammers’ structure of the dead piano are re-activated by a system of motors. Left without the strings of the original instrument the hammers percuss and press against a sheet of cloth.
The mechanical movement of the device, trapped within the cloth, is mapped to conversations from internet sex chats. The work attempts to create a sculptural and sonic rendition of our violent side. A violence we often suffocate, repress, lock down somewhere far and deep, yet sometimes impossible to contain. The hammers’ violent percussing is enclosed in the veil of cloth, creating a mysterious ‘creature’ that struggles to keep its inner mechanics hidden.